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2. List of acting techniques - Wikipedia

   en.wikipedia.org/wiki/List_of_acting_techniques

   Other acting techniques are also based on Stanislavski's ideas, such as those of Stella Adler and Sanford Meisner, but these are not considered "method acting". [1] Michael Chekhov developed an acting technique, a ‘psycho-physical approach’, in which transformation, working with impulse, imagination and inner and outer gesture are central ...

3. Meisner technique - Wikipedia

   en.wikipedia.org/wiki/Meisner_technique

   Meisner training is an interdependent series of training exercises that build on one another. The more complex work supports a command of dramatic text.Students work on a series of progressively complex exercises to develop an ability to first improvise, then to access an emotional life, and finally to bring the spontaneity of improvisation and the richness of personal response to textual work ...

4. Found footage (film technique) - Wikipedia

   en.wikipedia.org/wiki/Found_footage_(film_technique)

   Marble Hornets (2009–2014) (YouTube series) The River (2012) (series) The Simpsons, episode: Treehouse of Horror XXIII (2012). The 2nd segment "Unnormal Activity" is a parody of the Paranormal Activity franchise. Ultimate Spider-Man, episode: "Exclusive" (2012) [note 1] Lassie Jerky, an episode of Psych that was partially filmed as found ...

5. The Best MasterClass Courses for Acting and Directing - AOL

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7. Method acting - Wikipedia

   en.wikipedia.org/wiki/Method_acting

   Marlon Brando's performance in Elia Kazan's film of A Streetcar Named Desire exemplifies the power of Stanislavski-based acting in cinema. [1]Method acting, known as the Method, is a range of rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and experiencing a ...

8. Acting - Wikipedia

   en.wikipedia.org/wiki/Acting

   Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode.

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