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Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
Jesus healing the servant of a Centurion, by the Venetian artist Paolo Veronese, 16th century. Healing the centurion's servant is one of the miracles performed by Jesus of Nazareth as related in the Gospel of Matthew [1] and the Gospel of Luke [2] (both part of the Christian biblical canon).
Isaiah 52:13–53:12 makes up the fourth of the "Servant Songs" of the Book of Isaiah, describing a "servant" of God who is abused but eventually vindicated. [2] Major themes of the passage include: Human opposition to God's purposes for the servant. The servant has an exalted status in the eyes of God, but people despise him and consider him ...
Etching by Jan Luyken illustrating the parable, from the Bowyer Bible.. The Parable of the Faithful Servant (or Parable of the Door Keeper) is a parable of Jesus found in Matthew 24:42-51, Mark 13:34-37, and Luke 12:35-48 about how it is important for the faithful to keep watch.
Jesus said to him, "I don't tell you until seven times, but, until seventy times seven. Therefore the Kingdom of Heaven is like a certain king, who wanted to reconcile accounts with his servants. When he had begun to reconcile, one was brought to him who owed him ten thousand talents.
The image formed part of the subject of the Mass of Saint Gregory; by 1350 the Roman icon was being claimed as a contemporary representation of the vision. [5] In this image the figure of Christ was typical of the Byzantine forerunners of the Man of Sorrows, at half length, with crossed hands and head slumped sideways to the viewer's left.
Brooklyn Museum – The Ear of Malchus (L'oreille de Malchus) – James Tissot A depiction of Peter striking Malchus (c. 1520, Musée des Beaux-Arts de Dijon) Malchus (/ ˈ m æ l k ə s /; Koinē Greek: Μάλχος, romanized: Málkhos, pronounced [ˈmal.kʰos]) was the servant of the Jewish High Priest Caiaphas who participated in the arrest of Jesus as written in the four gospels.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
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