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From the break-up of Yugoslavia, this is considered as the only film that attracted more than one million viewers in Serbia, by far biggest number, even compared to foreign films. 2003: Ledina Bare Ground: Ljubiša Samardžić: Dragan Bjelogrlić, Ksenija Pajić, Zijah Sokolović: Drama: o11 Beograd: Michael Pfeifenberger: Vanja Ejdus: Drama ...
The Master and Margaret (Serbo-Croatian: Мајстор и Маргарита, Majstor i Margarita, Italian: Il maestro e Margherita) is a 1972 Italian-Yugoslav film directed by Aleksandar Petrović, loosely based on Mikhail Bulgakov's 1940 novel of the same name, although it mainly focuses on the parts of the novel set in 1920s Moscow.
Two of his films were nominated for the Academy Award for Best Foreign Language Film: Three in 1966 [1] and I Even Met Happy Gypsies (Feather Gatherers) in 1967. [2] The latter (original title "Skupljaci perja") was the first movie that presented the existence of Gypsies in society and everyday life; it was also the first full-feature film where Gypsies spoke their own language, Roma.
The series is an international co-production involving Cobra Film, Radio Television of Serbia, Skopje Film Studio, Iskra, Radio Televizija Republike Srpske, Macedonian Radio Television, and the North Macedonia Film Agency. The first season was received very well by audience and critics alike, some controversy notwithstanding.
September 5 (read "September five") [2] is a 2024 historical drama film co-written and directed by Tim Fehlbaum and starring Peter Sarsgaard, John Magaro, Ben Chaplin, and Leonie Benesch. The film recounts the Munich massacre from the perspective of the ABC Sports crew and their coverage of the events.
It is the sequel to the 2010 film Montevideo, God Bless You! It was selected as the Serbian entry for the Best Foreign Language Film at the 87th Academy Awards , but was not nominated. [ 1 ] [ 2 ] See You in Montevideo was shot over a number of locations, Paraćin , Belgrade , Ulcinj , Trieste , and also the Spanish Island of Tenerife .
The film is mystifyingly abrupt in its transitions, but its effects, physical and intellectual, are unmistakably forceful and chilling. The director, Aleksandar Petrovic, with the aid of a sparse script and stunning photography by Tomislav Pinter, has pointed up war’s ravages as it affects one partisan’s fights in one small sector of the ...