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There's power enough in heaven, To cure a sin-sick soul. There is no mention of the balm of Gilead in Newton's poem, but it begins: How lost was my condition Till Jesus made me whole! There is but one Physician Can cure a sin–sick soul. The similarities in the refrain make it likely that it was written for Newton's verse.
Augustine: "This cannot be before the soul is so joined to the body, that nothing may sever them. Yet it is rightly called the death of the soul, because it does not live of God; and the death of the body, because though man does not cease to feel, yet because this his feeling has neither pleasure, nor health, but is a pain and a punishment, it ...
Portal:Classical music/Quotes/13 And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
The role of music in Korean shamanism seems intermediary between the possession trance model and the Siberian model: in the Kut ritual, the music, played by musicians, first calls on the god to possess the mudang (shaman), then accompanies the god during their time in the shaman's body, then sends back and placates the god at the end. [26]
Pentecostal writer Wilfred Graves Jr. views the healing of the body as a physical expression of salvation. [17] Matthew 8:17, after describing Jesus exorcising at sunset and healing all of the sick who were brought to him, quotes these miracles as a fulfillment of the prophecy in Isaiah 53:5: "He took up our infirmities and carried our diseases".
Vis medicatrix naturae (literally "the healing power of nature", and also known as natura medica) is the Latin rendering of the Greek Νόσων φύσεις ἰητροί ("Nature is the physician(s) of diseases"), a phrase attributed to Hippocrates.
He began recording his own music and he formed Spirit Music, one of the first [citation needed] record labels dedicated to the therapeutic use of sound and music. The label has recorded and released music by Goldman, as well as Don Campbell, Sarah Benson, Sam McClellan, Laraaji, the Gyume Monks and more recently, Lama Tashi, among others.
Werner writes that "unique in the history of music is the firm belief in the purifying and sin-atoning power of the Temple's music, ascribed to both chant and instruments." [9] The music had to be free from blemish or fault, and avoided magical elements. Even the High Priest's garment had symbolism: (Exod. 28:34–35): "a golden bell and a ...