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Sayaw Sa Bangko (Bench Dance)-rural folk dance forms with agile jumping on and off benches. Geographic location also influence what movements are incorporated into the dances. People from Maranao, Maguindanaon, Bagobo, Manobo, T’boli of Mindanao and Tausug and Badjao of Sulu. Draw influences from aquatic life as they are near bodies of water ...
Tinikling (traditionally written tiniclín) is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os. This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively. Thus one may find both "hasapiko" ("the ...
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.
Pangalay (also known as Daling-Daling [1] or Mengalai [2] in Sabah) [3] is the traditional "fingernail" dance of the Tausūg people of the Sulu Archipelago [4] and eastern coast Bajau of Sabah. [3] [5] [6] The dance has a similarity to classical Balinese and Thai dances, [7] [8] and involves the movements of the shoulders, elbows, and wrists [9]
Ramon Arevalo Obusan (June 16, 1938 – December 21, 2006) was a Filipino dancer, choreographer, stage designer and artistic director. Obusan is credited for his work in promoting Philippine traditional dance and cultural work. He is also an acclaimed archivist, researcher and documentary filmmaker who focused on Philippine culture.
The name sublî is a portmanteau of the Tagalog words subsób ("bent", "stooped", also "fall on the face") and balî (also "bent" or "broken"), referring to the posture adopted by male dancers. Both men and women dancers—called manunublî (meaning "person that does sublî ")—perform in pairs and various formations.
Itik-itik is a mimetic folk dance in the Philippines that mimics the movement of ducks. [1] It originated in Cantilan, Surigao del Sur [1] in the Philippines. Itik-itik was discovered in this town by National Artist for Dance Francisca Reyes-Aquino.