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The traditional typographic units are based either on non-metric units, or on odd multiples (such as 35 ⁄ 83) of a metric unit.There are no specifically metric units for this particular purpose, although there is a DIN standard sometimes used in German publishing, which measures type sizes in multiples of 0.25 mm, and proponents of the metrication of typography generally recommend the use of ...
The point was first established by the Milanese typographer, Francesco Torniella da Novara (c. 1490 – 1589) in his 1517 alphabet, L'Alfabeto.The construction of the alphabet is the first based on logical measurement called "Punto," which corresponds to the ninth part of the height of the letters or the thickness of the principal stroke.
As books are most often printed with proportional fonts, cpp of a given font is usually a fractional number. For example, an 11-point font (like Helvetica) may have 2.4 cpp, [5] [6] thus a 5-inch (30-pica) line of a usual octavo-sized (6×8 in) book page would contain around 72 characters (including spaces). [7] [8]
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A digital font's design space in digital type is called the em, which is a grid with arbitrary resolution. Scaling the em to a particular point size is how imaging systems—whether for screen or print—work. In digital type, the relationship of the height of particular letters to the em is arbitrarily set by the typeface designer.
Fonts originally consisted of a set of moveable type letterpunches purchased from a type foundry. As early as 1600, the sizes of these types—their "bodies" [ 1 ] —acquired traditional names in English, French, German, and Dutch, usually from their principal early uses. [ 2 ]