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Modern, factory-produced movable type was available in the late nineteenth century. It was held in the printing shop in a job case, a drawer about two inches (5 cm) high, three feet (90 cm) wide, and about two feet (60 cm) deep, with many small compartments for the "sorts" (various letters and ligatures).
Hot metal typesetting was developed in the late nineteenth century as a development of conventional cast metal type. [4] The technology had several advantages: it reduced labour since type sorts did not need to be slotted into position manually, and each casting created crisp new type for each printing job.
The traditional typographic units are based either on non-metric units, or on odd multiples (such as 35 ⁄ 83) of a metric unit.There are no specifically metric units for this particular purpose, although there is a DIN standard sometimes used in German publishing, which measures type sizes in multiples of 0.25 mm, and proponents of the metrication of typography generally recommend the use of ...
In physical typesetting, a sort or type is a block with a typographic character etched on it, used—when lined up with others—to print text. [1] In movable-type printing, the sort or type is cast from a matrix mold and assembled by hand with other sorts bearing additional characters into lines of type to make up a form, from which a page is printed.
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A stereotype mold ("flong") being made Stereotype casting room of the Seattle Daily Times, c. 1900. In printing, a stereotype, [note 1] stereoplate or simply a stereo, is a solid plate of type metal, cast from a papier-mâché or plaster mould taken from the surface of a forme of type.
Related: Clay Aiken 'Left Music' 10 Years Ago.How Recording a New Christmas Album 'Opened' His 'Eyes' Again (Exclusive) "Back then it was a big deal," says Aiken, who recently marked his return to ...
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