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He created fifty different block-printed wallpapers, all with intricate, stylised patterns based on nature, particularly upon the native flowers and plants of Britain. His wallpapers and textile designs had a major effect on British interior designs, and then upon the subsequent Art Nouveau movement in Europe and the United States.
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Neo-Victorian – Aesthetic movement; Pteridomania – Popular craze in late nineteenth-century United Kingdom; Staffordshire dog figurine – Matching pottery pieces; Hand cooler – egg-shaped item originally made of porcelain, marble, glass or crystal, cooled and carried in the hand
Morris invented three distinctive typefaces – Golden, Troy, and Chaucer, with the text being framed with intricate floral borders similar to illuminated medieval manuscripts. His work inspired many small private presses in the following century. [283] Morris's aesthetic and social values became a leading force in the Arts and Crafts Movement.
After venturing into the field of wallpapers at the Festival of Britain, Lucienne Day continued to design wallpapers for the rest of the decade. Keen to reach a wider market, she teamed up with the progressive Lightbown Aspinall branch of the Wall Paper Manufacturers Ltd, whose products were collectively marketed under the tradename Crown.
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They reasserted the value of ornamentation and aesthetic beauty - qualities assigned to the feminine sphere. [14] [6] [15] Floral imagery, patterning, and decoration are associated with the feminine. P&D artists included elements of crafts such as needlepoint and beading, which were traditionally done by women within the domestic sphere. By ...
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