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Survey of historic costume: A history of Western dress (2nd ed.). New York: Fairchild Publications. ISBN 1-56367-003-8. Van Buren, Anne H. Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325–1515. New York: Morgan Library & Museum, 2011. ISBN 978-1-9048-3290-4
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
Some had detachable sleeves. The undergarment was a plain linen dress, called a camicia. Women wore high heels called Pianelle. Heels were worn less for fashion at the time and more for functionality. Women wore heeled shoes to keep their dresses from dragging on the damp and dirty streets. Portrait of Barbara Pallavicino by Alessandro Araldi ...
Byzantine dress changed considerably over the thousand years of the Empire, [1] but was essentially conservative. Popularly, Byzantine dress remained attached to its classical Greek roots with most changes and different styles being evidenced in the upper strata of Byzantine society always with a touch of the Hellenic environment.
English opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth I. Fashion in the period 1550–1600 in European clothing was characterized by increased opulence.
The Italian Catherine de' Medici, as Queen of France. Her fashions were the main trendsetters of courts at the time. Fashion in Italy started to become the most fashionable in Europe since the 11th century, and powerful cities of the time, such as Venice, Milan, Florence, Naples, Vicenza and Rome began to produce robes, jewelry, textiles, shoes, fabrics, ornaments and elaborate dresses. [8]
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