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The 5th Brandenburg Concerto, BWV 1050, always was a concerto for flute, violin and harpsichord, also in its earlier version BWV 1050a. Earlier versions for unaccompanied keyboard instruments of all three movements of the Triple Concerto, BWV 1044, are extant. Other harpsichord concertos, and related cantata movements if available, have been ...
The Brandenburg Concerto No. 1, BWV 1046.2 (BWV 1046), [23] is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), [24] which appears to have been composed during Bach's years at Weimar.
Bach The Brandenburg Concertos under Johannes Somary, Vanguard (2008) Bach Violin Concertos with Anne-Sophie Mutter and Salvatore Accardo, EMI (1983) Bach Violin Concertos with Itzhak Perlman and Pinchas Zukerman under Daniel Barenboim, EMI (1986) Bach Violin Concertos and Triple Concerto with Arthur Grumiaux under Raymond Leppard, Philips (1964)
A concerto (/ k ə n ˈ tʃ ɛər t oʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
Concerto ex Dis [i.e., in E-flat], No. 1, for horn, two violins, viola and basso continuo, Lund manuscript No. 5 (Saml. Wenster J:1–17) Concerto ex Dis Dur [i.e., in E-flat major] No. 2, for horn, two violins, viola and basso continuo, Lund manuscript; Carl Heinrich Graun. Concerto in D major for corno concertato, 2 violins, viola and basso
Other early violin concertos are the four in Tomaso Albinoni's Op. 2 (1700) and the six in Giuseppe Torelli's important Op. 8 (1709 - the other six works in this set are double concertos for two violins). The most influential and prolific composer of concertos during the Baroque period was the Venetian Antonio Vivaldi (1678–1741). In addition ...
Accordone (Guido Morini): early baroque, often with Marco Beasley; Auser Musici: baroque orchestra; Cappella della Pietà de' Turchini (Antonio Florio): baroque orchestra; Il Complesso Barocco (Alan Curtis): baroque orchestra; Concerto Italiano (Rinaldo Alessandrini): madrigals and baroque orchestra; Delitiæ Musicæ: Renaissance and baroque ...
Companion to the Mozart Piano Concertos (1948) The Invention and Composition of Music (1958) The Baroque Concerto (1961) Church Music in the Nineteenth Century (1967) 'The Nineteenth Century', in Pelican History of Music, Vol. 3 (1968) Introduction to Constant Lambert's Music Ho! (3rd edition, 1968)