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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Howlin' Wolf: 1962 Top Jimmy & the Rhythm Pigs "Don't Go No Further" Muddy Waters: 1956 The Doors, B.B. King, John P. Hammond "Don't You Tell Me Nothin'" Willie Dixon: 1986 used in the film The Color of Money "Down in the Bottom" Howlin' Wolf: 1961 Bill Wyman's Rhythm Kings, John P. Hammond, Siegel–Schwall Band, Barry McGuire "Eternity ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
It should only contain pages that are Howlin' Wolf songs or lists of Howlin' Wolf songs, as well as subcategories containing those things (themselves set categories). Topics about Howlin' Wolf songs in general should be placed in relevant topic categories .
Hooker also used the song as basis for several of his own songs, such as "Sally Mae". [2] In 1964, Howlin' Wolf recorded the song as "My Country Sugar Mama". [12] It was performed as a Chicago blues shuffle with lyrics from the Yank Rachell, Tampa Red, and Sonny Boy Williamson songs. The song was credited to Wolf as are many subsequent versions.
The first two songs on the collection – "Moanin' at Midnight" and "How Many More Years" – were recorded at Memphis Recording Service on either May 14, or August 1951 and were produced by Sam Phillips, who would later produce Elvis Presley and Johnny Cash. The rest of the songs on the album were recorded in Chicago from May 1954 to August ...
A key element of the song is the distinctive slide guitar, played by Howlin' Wolf, with backing by long-time accompanist Hubert Sumlin on electric guitar. [23] It is one of only two of the many songs recorded by Howlin' Wolf in the early 1960s which include his guitar playing. [24]
"Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Door Man", and in Wolf's own "Smokestack Lightning". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. [ 5 ] Music critic Bill Janovitz ...