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Railroad Earth is a bluegrass-influenced Americana band formed in Stillwater, New Jersey in 2001. [1] The band's music combines elements of progressive bluegrass , folk , rock , country , jazz , Celtic and other Americana influences.
Pete Wernick (born February 25, 1946), also known as "Dr. Banjo", is an American musician. [1]He is a five-string banjo player in the bluegrass music scene since the 1960s, founder of the Country Cooking and Hot Rize bands, Grammy nominee and educator, with several instruction books and videos on banjo and bluegrass, and a network of bluegrass jamming teachers called The Wernick Method.
The band recorded 10 CDs, made "Seed of Love" song, the first bluegrass video to feature the banjo, and even reached number one on the TNN channel. That band broke up in 2000, but Danny still continued to play with others including Marty Raybon , Larry Cordle , and Melonie Cannon .
Carroll Best (c. 1931 – May 8, 1995) was an American bluegrass banjo player and music educator. He was briefly a member of The Morris Brothers in the mid 1950s. He was the winner of several regional banjo contests before being awarded the widely recognized Bascom Lamar Lunsford Award in 1990. He is credited for developing an influential ...
Run C&W was an American novelty bluegrass group that was active in the early 1990s, playing mostly cover renditions of classic soul and R&B songs in a bluegrass or roots country style, including banjo, harmonica, washboard, and multi-part vocal harmonies. [3] [4] They also played a handful of original parody songs.
John Cowan Hartford (December 30, 1937 – June 4, 2001) was an American folk, country, and bluegrass composer and musician known for his mastery of the fiddle and banjo, as well as for his witty lyrics, unique vocal style, and extensive knowledge of Mississippi River lore.
He, along with Emory Lester was nominated by the International Bluegrass Music Association (IBMA) for a 2007 Instrumental Album of the Year award. [2] and presented with the 2012 Steve Martin Prize for Excellence in Banjo and Bluegrass. [3] He is a spokesman for the Deering Banjo Co., which named two Clawgrass model banjos after him. [4]
In 1963 he became a member of Bill Monroe's Bluegrass Boys. [2] Keith's recordings and performances during these nine months with Monroe permanently altered banjo playing, and his style became an important part of the playing styles of many banjoists. After leaving the Bluegrass Boys, he joined the Jim Kweskin Jug Band playing plectrum banjo. [1]