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Art Nouveau architecture is a design style defined by dramatic, nature-inspired ornamentation, often with whiplash curves and flowing lines that look like vines. At its core, Art Nouveau ...
In a 'principles' approach to design theory, the De Stijl movement (founded in 1917) promoted a geometrical abstract, "ascetic" form of purism that was limited to functionality. This modernist attitude underpinned the Bauhaus movement (1919 onwards). Principles were drawn up for design that were applicable to all areas of modern aesthetics.
Presently, the effect of the influence of nature is less obvious: instead of designed objects looking exactly like the natural form, they use only slight characteristics to remind us of nature. Victor Papanek (1923–1999) was one of the first American industrial designers to use biomorphic analysis in his design assignments.
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. [1]
Le Corbusier, 1922, Nature morte verticale (Vertical Still Life), oil on canvas, 146.3 cm × 89.3 cm (57.6 by 35.2 inches), Kunstmuseum Basel. Purism, referring to the arts, was a movement that took place between 1918 and 1925 that influenced French painting and architecture.
Cottagecore is as much an interior design movement as it is a lifestyle—one that prioritizes a simpler life in nature, away from the distractions of big cities and modern technology.
An alternative architectural theory based on scientific laws, as for example A Theory of Architecture is now competing with purely aesthetic theories most common in architectural academia. This entire body of work can be seen as balancing and often questioning design movements that rely primarily upon aesthetics and novelty.