Search results
Results from the WOW.Com Content Network
The ancient Greek meaning of enharmonic is that the scale contains at least one very narrow interval. (The spacing of each pair notes between their bracketing fixed notes is usually either approximately or exactly the same, so when there is one narrow interval in one bracket there is almost always another one inside the other bracket.) [4] Modern musical vocabulary has re-used the word ...
In the enharmonic and chromatic forms of some of the harmoniai, it has been necessary to use both a d and either a d or d because of the non-heptatonic nature of these scales. C and F are synonyms for d and g [respectively]. The appropriate tunings for these scales are those of Archytas [27] and Pythagoras. [25]
In ancient Greek music the enharmonic was one of the three Greek genera in music in which the tetrachords are divided (descending) as a ditone plus two microtones. The ditone can be anywhere from 16 / 13 to 9 / 7 (3.55 to 4.35 semitones) and the microtones can be anything smaller than 1 semitone. [5] Some examples of enharmonic ...
The Greek scales in the Aristoxenian tradition were: [14] [15] Aristoxenian scale: rough ... In music theory the Greek word harmonia can signify the enharmonic genus ...
In contrast, the ancient Greek chromatic scale had seven pitches (i.e. heptatonic) to the octave (assuming alternating conjunct and disjunct tetrachords), and had incomposite minor thirds as well as semitones and whole tones. The (Dorian) scale generated from the chromatic genus is composed of two chromatic tetrachords:
The Pythagorean comma shown as the gap (on the right side) which causes a 12-pointed star to fail to close, which star represents the Pythagorean scale; each line representing a just perfect fifth. That gap has a central angle of 7.038 degrees, which is 23.46% of 30 degrees. The size of a Pythagorean comma, measured in cents, is
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
In classical music from Western culture, a diesis (/ ˈ d aɪ ə s ɪ s / DY-ə-siss or enharmonic diesis, plural dieses (/ ˈ d aɪ ə s i z / DY-ə-seez), [1] or "difference"; Greek: δίεσις "leak" or "escape" [2] [a] is either an accidental (see sharp), or a very small musical interval, usually defined as the difference between an octave (in the ratio 2:1) and three justly tuned major ...