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The 12-hour clock is a time convention in which the 24 hours of the day are divided into two periods: a.m. (from Latin ante meridiem, translating to "before midday") and p.m. (from Latin post meridiem, translating to "after midday").
Afternoon is a time when the sun is descending from its daytime peak. During the afternoon, the sun moves from roughly the center of the sky to deep in the west. In late afternoon, sunlight is particularly bright and glaring, because the sun is at a low angle in the sky. [8]
English afternoon tea (or simply afternoon tea) is a British tradition that involves enjoying a light meal of tea, sandwiches, scones, and cakes in the mid-afternoon, typically between 3:30 and 5 pm. It originated in the 1840s as a way for the upper class to bridge the gap between lunch and a late dinner.
The Spanish "siesta" is probably the best-known term associated with the afternoon nap, but ancient Romans in Italy practiced afternoon naps, known as "riposo," many centuries earlier.
Baku Street at Noon (1861) by Alexey Bogolyubov, showing shadows falling vertically in the city of Baku. Noon (also known as noontime or midday) is 12 o'clock in the daytime.It is written as 12 noon, 12:00 m.
Afternoon is the time between noon and sunset or evening. Afternoon may also refer to: Afternoon, a Japanese manga magazine published by Kodansha; Afternoon, a newspaper published in Mumbai, India; Afternoon, an 1883 play by Ouida; Afternoon, a 1965 film directed by Andy Warhol; Afternoon, a 2015 film directed by Tsai Ming-liang
A merenda (from the Latin merenda) is a snack in the mid-morning (around 10 o'clock a.m.) or mid-afternoon (around 5 o'clock p.m.). It is usually a light meal, consisting of panini or tramezzini, fruit alone or bread and jam, if not a dessert and, in summer, possibly gelato. It is common for children, and also eaten by adults. [34]
"Afternoon in Paris" is a 1949 jazz standard.It was written by John Lewis. [1]"Afternoon in Paris" has a 32-bar AABA form and is usually played in the key of C major.In several of the song's phrases, the tonal center changes (when played in C, there is a shift to B ♭ and A ♭), defining a complex harmonic structure that is of interest to both theoreticians and soloists.