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Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
Platonism is the philosophy of Plato and philosophical systems closely derived from it, though contemporary Platonists do not necessarily accept all doctrines of Plato. [1] ...
The "Spindle of Necessity", according to Plato, is "shaped... like the ones we know"—the standard Greek spindle, consisting of a hook, shaft, and whorl. The hook was fixed near the top of the shaft on its long side. On the other end resided the whorl. The hook was used to spin the shaft, which in turn spun the whorl on the other end.
Plato uses this observation to illustrate his famous doctrine that the soul is a self-mover: life is self-motion, and the soul brings life to a body by moving it. Meanwhile, in the recollection and affinity arguments, the connection with life is not explicated or used at all.
Middle Platonism is sometimes thought to have avoided allegorical interpretation, but Dillon's survey found 'relative continuity' with the later Neo-Platonists: 'at least at the latter end of the Middle Platonic period, there were developments in exegesis which anticipated to some extent the allegorizing of the Neo-Platonists.' [26] The routine ...
You can blame the platonic ending on Steven Spielberg. Apparently, ... Spielberg let Helen Hunt and Bill Paxton kiss at the end of Twister, but maybe that was an untold battle with director Jan de ...
The Form of the Good, or more literally translated "the Idea of the Good" (ἡ τοῦ ἀγαθοῦ ἰδέα [a]), is a concept in the philosophy of Plato.In Plato's Theory of Forms, in which Forms are defined as perfect, eternal, and changeless concepts existing outside space and time, the Form of the Good is the mysterious highest Form and the source of all the other Forms.
The Symposium is a dialogue—a form used by Plato in more than 30 works. However, unlike in many of his other works, the majority of it is a series of speeches from different characters.