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Moon Beams is a 1962 album by jazz musician Bill Evans and the first trio album he recorded after the death of bassist Scott LaFaro.It introduces two important Evans originals, "Re: Person I Knew" (an anagram of the name of his then-producer, Orrin Keepnews), and "Very Early," which Evans had actually composed as an undergraduate. [3]
The following is a listing of the jazz pianist Bill Evans's original albums. He recorded over 50 albums as a leader between 1956 and 1980 and also played as a sideman on nearly as many more. He recorded over 50 albums as a leader between 1956 and 1980 and also played as a sideman on nearly as many more.
The album's eight original tracks include five jazz standards and three modern jazz compositions. Explorations opens with a cover of John Carisi's "Israel," which had first been recorded by Miles Davis on the second Birth of the Cool session. The trio also covers Davis's own "Nardis," which Evans had first recorded in 1958 with Cannonball Adderley.
Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. It was released in 1962. It was released in 1962.
The Complete Village Vanguard Recordings, 1961, a three-CD box set released in 2005, marks the first time the entire Bill Evans Trio's complete sets at the Village Vanguard on June 25, 1961, have been released in their entirety (outside of the 12-disc set containing Evans' complete Riverside recordings).
Trio 64 is an album by American jazz musician Bill Evans, released in 1964. It was simultaneously Gary Peacock’s first and only recording with Evans and Paul Motian's final recording with the pianist.
The Bill Evans Trio. Released: January 1964 [1] Recorded: ... How My Heart Sings! is an album recorded by jazz musician Bill Evans in 1962, at the same time as Moon ...
The duo previously released a studio album in 1964. [3] This second record, which consists of the Bill Evans Trio (bassist Eddie Gómez and drummer Marty Morell) and their guest Stan Getz during a 1974 European tour, was actually kept in the vault for 22 years. The album was deemed a "vital reissue" by Billboard magazine. [4]
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