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  2. Noguchi table - Wikipedia

    en.wikipedia.org/wiki/Noguchi_table

    The Noguchi table was an evolution of a rosewood and glass table Noguchi designed in 1939 for A. Conger Goodyear, president of the Museum of Modern Art. [1] The design team at Herman Miller was so impressed by the table's use of biomorphism that they recruited Noguchi to design a similar table with a freeform sculptural base and biomorphic glass top for use in both residential and office ...

  3. Khokhloma - Wikipedia

    en.wikipedia.org/wiki/Khokhloma

    The effect it has when applied to wooden tableware or furniture, making it look heavier and metallic. There are two principal wood painting techniques used in the Khokhloma, such as the so-called "superficial technique" (red and black colors over the goldish one) and the "background technique" (a goldish silhouette-like design over the colored ...

  4. Italian Baroque interior design - Wikipedia

    en.wikipedia.org/.../Italian_Baroque_interior_design

    Florentine Console tables often were sumptuous and richly decorated. [4] Carved wood often was gilded in gold or bronze, [4] and table legs were mainly caryatids or muscular figures made to appear as if they were holding the marble slab on top. Most of their themes were copied or nearly identical to their Roman counterparts, but the Florentines ...

  5. Victorian decorative arts - Wikipedia

    en.wikipedia.org/wiki/Victorian_decorative_arts

    Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .

  6. Ornament (art) - Wikipedia

    en.wikipedia.org/wiki/Ornament_(art)

    Ornament in the Roman empire utilized a diverse array of styles and materials, including marble, glass, obsidian, and gold. Roman ornament, specifically in the context of Pompeii, has been studied and written about by scholar Jessica Powers in her book chapter "Beyond Painting in Pompeii's Houses: Wall Ornaments and Their Patrons."

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