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The Origins and History of Consciousness (German: Ursprungsgeschichte des Bewusstseins) is a 1949 book by the psychologist and philosopher Erich Neumann, in which the author attempts to "outline the archetypal stages in the development of consciousness". It was first published in English in 1954 in a translation by R. F. C. Hull.
Erich Neumann (Hebrew: אריך נוימן; 23 January 1905 – 5 November 1960) [1] was a German psychologist, philosopher, writer, and student of Carl Jung. [ 2 ] Life and career
Der Archetyp des grossen Weiblichen) is a book discussing mother goddesses by the psychologist Erich Neumann. The dedication reads, "To C. G. Jung friend and master in his eightieth year". Although Neumann completed the German manuscript in Israel in 1951, [2] The Great Mother was first published in English in 1955. [3]
Pages in category "Books by Erich Neumann" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. G. The Great Mother; O.
The book became a New York Times bestseller and was adapted into a Netflix series starring Margaret Qualley. ... Jungian analyst Nancy Furlotti looks closely at the writings of Erich Neumann, C. G ...
Joan Scott Wallace, outside of government service, a psychologist and educator; Henri Wallon, French psychology; Hans-Jürgen Walter, (Founder of Gestalt theoretical psychotherapy) Margaret Floy Washburn, first female psychology PhD; John B. Watson, Watsonian behaviorism; Paul Watzlawick; Ernst Heinrich Weber; David Wechsler
The Foundation was established in 2003 to support the work of Sonu Shamdasani, [1] a London-based historian, in his then ongoing work of preparing Jung's Red Book for publication. Shamdasani is the co-founder of the Philemon Foundation with American Jungian analyst Stephen A. Martin.
Ruth B. Bottigheimer catalogued this and other disparities between the 1810 and 1812 versions of the Grimms' fairy tale collections in her book, Grimms' Bad Girls And Bold Boys: The Moral And Social Vision of the Tales. Of the "Rumplestiltskin" switch, she wrote, "although the motifs remain the same, motivations reverse, and the tale no longer ...