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Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice , who symbolises theology.
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
Dante is depicted (bottom, centre) in Andrea di Bonaiuto's 1365 fresco Church Militant and Triumphant in the Santa Maria Novella church, Florence. In 1373, a little more than half a century after Dante's death, the Florentine authorities softened their attitude to him and decided to establish a department for the study of the Divine Comedy.
The first formal biography of Dante was the Vita di Dante (also known as Trattatello in laude di Dante), written after 1348 by Giovanni Boccaccio. [71] Although several statements and episodes of it have been deemed unreliable on the basis of modern research, an earlier account of Dante's life and works had been included in the Nuova Cronica of ...
This page was last edited on 22 October 2021, at 11:36 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
This page was last edited on 22 October 2021, at 11:31 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
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