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One form is as a complete line dance, consisting of approximately 25 steps. [1] Other forms may include a simplified two-step followed by a shoulder-brushing motion with the back of the opposite hand. In some respects, the maneuver is a homage to the vibrant dance culture that permeated dance clubs of the Harlem area during the Harlem Renaissance.
Step Afrika! is a dance company dedicated to the African-American tradition of "stepping". [1] It is a non-profit organization that tours nationally and internationally, presents residencies and workshops worldwide, and uses "stepping" as an educational tool. [2] Their dance style is a fusion of South African gumboot dance and African American ...
According to tap dancer Howard “Stretch” Johnson the word "Shim" was a contraction of the term "she-him", a reference to the fact that the female chorus line dancers at the 101 Ranch were played by men. [7] At the Savoy Ballroom, some lindy hoppers did the shim sham as a group line dance, without the taps.
Stafford Berry Jr. is one of the first artisans awarded the Midwest Culture Bearers Award for his African-rooted dance, theater and instruction. Indiana University's African American Dance Company ...
The Chicken Dance is an example of a line dance adopted by the Mod revival during the 1980s. [18] The music video for the 1990 Billy Ray Cyrus song "Achy Breaky Heart" has been credited for launching line dancing into the mainstream. [2] [19] [20] [21] In the 1990s, the hit Spanish dance song "Macarena" inspired a popular line dance. [22]
Master Juba from American Notes. The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks . "Pattin' Juba" would be used to keep time for other dances during a walkaround.
Stepping or step-dancing (a type of step dance) is a form of percussive dance in African-American culture.The performer's entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps.
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