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The siter and celempung are plucked string instruments used in Javanese gamelan. They are related to the kacapi used in Sundanese gamelan. The siter and celempung each have between 11 and 13 pairs of strings, strung on each side, between a box resonator. Typically the strings on one side tuned to pélog and the other to slendro. The siter is ...
The sitar (English: / ˈ s ɪ t ɑːr / or / s ɪ ˈ t ɑːr /; IAST: sitāra) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music.
Kroncong Jawa maintains Western intervals but adopts a 5-tone scale that approximates one of the main Javanese septatonic scales. When playing this style, cak and cuk leave their characteristic interplay and both play arpeggios to approximate the sound and style of the Javanese instrument the siter, a kind of zither. The cello adopts a ...
Gamelan siteran is a casual style of gamelan in Java, Indonesia, featuring portable, inexpensive instruments instead of the heavy bronze metallophones of a typical gamelan. A typical group consists of varieties of siter (small zither, which leads to the name), kendang (drum), and a large end-blown bamboo tube or a gong kemodhong, functioning as a gong ageng.
Kacapi Siter; The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which gives the instrument a boat-like shape. In ancient times, it was made directly from solid wood by perforating it. The Kacapi siter is a plan-parallel resonance box ...
In Java, the full gamelan also adds a bowed string instrument (the rebab, a name illustrative of Islamic influence), plucked siter, vertical flute suling and voices. [1] The rebab is one of the main melodic instruments of the ensemble, together with the metallophone gendér; these and the kendang drums are often played by the most experienced ...
Tanpuras form the root of the ensemble and indeed of the music itself, as the tanpura creates an acoustic dynamic reference chord from which the ragas (melodic modes) derive their distinctive character, color, and flavor.
In modern celempungan ensembles, the celempung may be replaced by the siter, kacapi, and kendang. [1] Troupes' musical repertoires include gamelan salendro kliningan. [3] Dutch ethnomusicologist Jaap Kunst described celempungan in his 1973 book Music in Java: "The chelempung-orchestra (ill. 131) is fortunate in being widely-spread.