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The Transfiguration of Jesus has been an important subject in Christian art, above all in the Eastern church, some of whose most striking icons show the scene. The Feast of the Transfiguration has been celebrated in the Eastern church since at least the 6th century and it is one of the Twelve Great Feasts of Eastern Orthodoxy , and so is widely ...
In Eastern Orthodox Christian theology, the Tabor Light (Ancient Greek: Φῶς τοῦ Θαβώρ "Light of Tabor", or Ἄκτιστον Φῶς "Uncreated Light", Θεῖον Φῶς "Divine Light"; Russian: Фаворский свет "Taboric Light"; Georgian: თაბორის ნათება) is the light revealed on Mount Tabor at the Transfiguration of Jesus, identified with the ...
12th-century icon of the Transfiguration. The theology of the transfiguration received the attention of the Church Fathers from the earliest times. In the 2nd century, Saint Irenaeus was fascinated by the transfiguration and wrote: "the glory of God is a live human being and a truly human life is the vision of God". [21]
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
The Transfiguration is a tempera-on-panel painting by Italian painter Giovanni Bellini, created c. 1454–1460. It depicts the Gospel episode the Transfiguration of Jesus . It is held in the Museo Correr in Venice .
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The icon of Our Lady of the Sign (Greek: Παναγία Ορωμένη; Church Slavonic: Икона Божией Матери, "Знамение", romanized: Ikona Bozhey Materi, "Znamenie"; Polish: Ikona Bogurodzicy "Znamienie") or Platytera (Greek: Παναγία Πλατυτέρα, romanized: Panagia Platytera) is the term for a particular ...
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who took up iconography needed to start his craft by producing the icon of the Transfiguration. [85] Whereas Western depictions aim for proportion, the abolition of perspective and alterations in the size and proportion of an image in Eastern icons aim to ...