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Prior to 1964, public accommodations in Phoenix and Arizona were segregated: African Americans were not allowed to stay in the hotels in downtown Phoenix. The structure, which is listed in the National register of Historic Places ref. number 95001081, is the only known surviving African-American boarding house in Phoenix.
Deer Valley Rock Art Center Museum. This list of museums in Arizona encompasses museums which are defined for this context as institutions (including nonprofit organizations, government entities, and private businesses) that collect and care for objects of cultural, artistic, scientific, or historical interest and make their collections or related exhibits available for public viewing.
Also lying on the field of blue felt was a plaque inscribed "Emmett Kelly Jr., Arizona Rangers, Tombstone Company, 1982, Badge # 405." [3] Since he worked for the railroad, Kelly's hobbies outside of the circus included collecting model trains which later inspired him to create the Emmett Kelly Jr. Circus Train collection.
Ringling Bros. and Barnum & Bailey dates back to 1919 as a combined circus, but go all the way back to the 19th century as separate spectacles that combined human feats of strength and agility ...
The Phoenix Historic Property Register is the official listing of the historic and prehistoric properties in the city of Phoenix, the capital and largest city, of the U.S. state of Arizona. [1] The city's register includes most or all places in Phoenix listed on the National Register of Historic Places and many more of local significance.
Clown College was the brainchild of Irvin Feld, the owner of Ringling Bros. and Barnum & Bailey Circus, and longtime Ringling clown and front man Bill Ballantine. In 1968, Ringling had only a handful of clowns, most of them over fifty years of age. It was clear that these performers would not be able to go on forever.
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The most prevalent character clown in the American circus is the tramp or hobo clown with a thick five-o'clock shadow and wearing shabby, crumpled garments. When working in a traditional trio situation, the character clown will play "contre-auguste" (a second, less wild auguste), siding with either the white or red clown.