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"Within You Without You" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Written by lead guitarist George Harrison, it was his second composition in the Indian classical style, after "Love You To", and inspired by his stay in India in late 1966 with his mentor and sitar teacher Ravi Shankar.
George Harrison [nb 1] (25 February 1943 – 29 November 2001) ... He played sitar on numerous Beatles songs, starting with "Norwegian Wood (This Bird Has Flown)".
With this sitar part, George Harrison became the first Western musician to play an Indian instrument on a commercial recording. [3] [4] Harrison is recognised as having introduced the sitar to pop music due to the Beatles' popularity and cultural influence. [5]
Complete with cellos, George Martin-like edits, sitars, and time machine. Sounds like a Beatles song circa Magical Mystery Tour." [1] In 2010, AOL radio listeners chose "When We Was Fab" as one of the 10 Best George Harrison Songs, placing it number 9 on the list. [2]
The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
The song was written and sung by George Harrison and features Indian instrumentation such as sitar and tabla. Following Harrison's introduction of the sitar on "Norwegian Wood (This Bird Has Flown)" in 1965, it was the first Beatles song to fully reflect the influence of Indian classical music.
Harrison otherwise played all the sitar parts on the song. [25] As with Harrison's appearance on "Friar Park", a track on Shankar's album Tana Mana (1987), [32] "Ride Rajbun" marked a rare collaboration between the two musicians in the years since their joint North American tour at the end of 1974. [33] [nb 2]
"Be Here Now" is a song by English rock musician George Harrison from his 1973 album Living in the Material World. The recording features a sparse musical arrangement and recalls Harrison's work with the Beatles during 1966–1968, through its Indian-inspired mood and use of sitar drone.
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