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Swift ended the first U.S. leg of the tour in Los Angeles on Aug. 9, 2023, by announcing the release of 1989 (Taylor’s Version), which dropped on Oct. 27, 2023 — nine years to the date after ...
Text logo. Tiny Desk Concerts is a video series of live concerts hosted by NPR Music at the desk of former All Songs Considered host Bob Boilen in Washington, D.C.. The first Tiny Desk Concert came about in 2008 after Boilen and NPR Music editor Stephen Thompson left South by Southwest frustrated that they couldn't hear the music over the crowd noise.
All the tickets that went on sale for the first show in São Paulo were completely sold out on the same day. The concert held in Rio de Janeiro and Caracas had the higher grossings for the South American leg. In China, extra concerts were added for the second Asian leg, in Beijing and Guangzhou where Lavigne played for 10,000 fans at Guangzhou ...
Female touring industry have been generally dominated by pop stars such as Madonna, P!nk, Beyoncé and Taylor Swift —who have had their names among the all-time highest-grossing live music artists and have also tours among the highest-grossing concert tours in history— as well Tina Turner from the rock scene, Spice Girls and Blackpink among ...
From opening for Taylor Swift on the North American legs of the "Eras Tour" to performing on "Saturday Night Live" for the first time, Gracie Abrams is establishing herself as a star on the rise.
The Trilogy Tour was the fifth concert tour and first all-arena tour by American artist Melanie Martinez, launched in support of all three of her [a] studio albums, Cry Baby, K-12 and Portals. [1] Comprising fifty-three shows, the tour started on May 10, 2024, at the Climate Pledge Arena in Seattle , Washington , and concluded on November 16 ...
This has resulted in two concert tours all of them worldwide, a lot of TV and award shows performances. During her Disney Channel days Gomez formed Selena Gomez & The Scene, her first musical group. [1] The musical formation broke up in 2012 after ending their third and final concert tour named We Own the Night Tour. [2]
The root of the disconnect between the number of women on stage and the number of women in the crowd may lie partially in the male-dominated subcultures these festivals were founded out of, as Slate writer Forrest Wickman argued in 2013: “The real problem at most of these festivals lies in the alternative subcultures they celebrate.