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Synesthesia was a prized experience; poets sought to identify and confound the separate senses of scent, sound, and colour. In Baudelaire 's poem Correspondences (which mentions forêts de symboles ("forests of symbols") and is considered the touchstone of French Symbolism): [ 10 ]
Régnier married Marie de Heredia, daughter of the poet José María de Heredia, and herself a novelist and poet under the pen name of Gérard d'Houville. [1] Henri de Régnier in April 1895 edition of The Bookman (New York City) He was a contributor to Le Visage de l'Italie, a 1929 book about Italy prefaced by Benito Mussolini. [2]
Verlaine's birthplace in Metz, today a museum dedicated to the poet's life and artwork. Paul-Marie Verlaine (/ v ɛər ˈ l ɛ n / vair-LEN; [1] French: [pɔl maʁi vɛʁlɛn]; 30 March 1844 – 8 January 1896) was a French poet associated with the Symbolist movement and the Decadent movement.
It is a new oral poetry originating in the 1980s in Austin, Texas, using the speaking voice and other theatrical elements. Practitioners write for the speaking voice instead of writing poetry for the silent printed page. The major figure is American Hedwig Gorski who began broadcasting live radio poetry with East of Eden Band during the early ...
Jules-Jean-Paul Fort (1 February 1872 – 20 April 1960) was a French poet associated with the Symbolist movement.At the age of 18, reacting against the Naturalistic theatre, Fort founded the Théâtre d'Art (1890–93).
Pages in category "Symbolist poets" The following 126 pages are in this category, out of 126 total. This list may not reflect recent changes. A. Felix Aderca;
The latter group also included George Bacovia, himself a major Symbolist poet. [36] His language was vivacious and abrupt, [37] owing much to the inspiration Minulescu sought in romanzas (giving some of his lyrics an overtly sentimental and occasionally burlesque character). [38]
The Symbolist poet Valery Bryusov admired the deceptive simplicity of Sologub's poetry and described it as possessing a Pushkinian perfection of form. Innokenty Annensky, another poet and contemporary of Sologub, wrote that the most original aspect of Sologub's poetry was its author's unwillingness to separate himself from his literature.