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The traje de flamenca ("flamenco outfit") or traje de gitana [1] ("Gitana outfit") is the dress traditionally worn by women at Ferias (festivals) in Andalusia, Spain. There are two forms: one worn by dancers and the other worn as a day dress. The day dress is body-hugging to mid-thigh, and then continues in multiple layers of ruffles to the ankle.
A charro or charra outfit or suit (traje de charro, in Spanish) [1] is a style of dress originating in Mexico and based on the clothing of a type of horseman, the charro. The style of clothing is often associated with charreada participants, mariachi music performers, Mexican history, and celebration in festivals. The charro outfit is one that ...
Two famous toreros: Joselito el Gallo and Juan Belmonte wearing the traje de luces. Detail of la chaquetilla.. The traje de luces [1] ('suit of lights') is the traditional clothing that Spanish bullfighters (toreros, picadores, and rejoneadores) wear in the bullring.
dress with a train (literally: "gown [of/with] a tail") bonito "pretty"; in other words, not good flamenco braceo a dancer's use of the arms bulerías song form; an evolving rhythm that started about a century ago bullanguero festive; adjectival form of bulerias
Polleras are a form of Spanish colonial dress enforced sometime between the sixteenth and seventeenth centuries on indigenous populations in the Andes by hacienda owners or hacendados. Traditional polleras come from peasant dress from southern Spanish regions like Andalusia. Today, polleras are associated with indigenous and folkloric forms of ...
] Spanish cinema, including within Spain and Spanish filmmakers abroad, has achieved high marks of recognition as a result of its creative and technical excellence. [ citation needed ] In the long history of Spanish cinema, the great filmmaker Luis Buñuel was the first to achieve universal recognition, followed by Pedro Almodóvar in the 1980s.
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It is important in Spanish to differentiate the nazarene (with lowercase letters) from the Nazarene (with an initial capital). The first relates to members of Cofradías and the second is reserved for the contemporary companions of Jesus of Nazareth , especially those that helped him bear his cross during his final humiliation.