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Self-portrait by Mir Sayyid Ali, Los Angeles County Museum of Art, 1550 Mir Sayyid Ali (Persian: میرسید علی, Tabriz, 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of the artists responsible for developing the style of Mughal painting, under Emperor Akbar.
Kashmiri papier-mâché is a handicraft of Kashmir that was brought by Muslim saint Mir Sayyid Ali Hamadani from Persia in the 14th century to medieval India. It is based primarily on paper pulp, and is a richly decorated, colourful artifact; generally in the form of vases, bowls, or cups (with and without metal rims), boxes, trays, bases of ...
The two artists Mir Sayyid Ali and Abd al-Samad were invited by Humayun around 1530–40 to teach this art to himself and to his son Akbar. Initially, the artists came to Kabul with Humayun (where he was in exile) and in later years shifted to Delhi when he won back his empire from the Suri Dynasty.
Sultan Mohammed, Mir Sayyid Ali, and Aqa Mirak, were leading painters of the next generation, the Safavid culmination of the classic style, whose attributed works are found together in several manuscripts. [47] Abd al-Samad was one of the most successful Persian painters recruited by the Mughal Emperors to work in India.
The Persian master artists Abd al-Samad and Mir Sayyid Ali, who had accompanied Humayun to India in the 16th century, were in charge of the imperial atelier during the formative stages of Mughal painting. Many artists worked on large commissions, the majority of them apparently Hindu, to judge by the names recorded.
Safavid art is the art of the Iranian Safavid dynasty from 1501 to 1722, encompassing Iran and parts of the Caucasus and Central Asia. It was a high point for Persian miniatures , architecture and also included ceramics, metal, glass, and gardens.
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