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Steadicam introduced a camera mount for smartphones, called the Smoothee, in 2012. Marketed to consumers instead of video professionals, its tubular frame supports iPhone and Android phones that are 4.53" to 6.26" long by 2.32" to 3.27" wide (115 to 159 mm long by 59 to 83 mm wide). [8] An adapter can be used to fit a GoPro camera to it.
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The Steadicam was first used in the Hal Ashby film Bound for Glory (1976), receiving an Academy Award (Best Cinematography), and since used on such films as Rocky, filming Rocky's running and training sequences, and Return of the Jedi, where Brown walked through a Redwood forest with the Steadicam shooting film at 1 frame per second to achieve ...
A camera stabilizer, or camera-stabilizing mount, is a device designed to hold a camera in a manner that prevents or compensates for unwanted camera movement, such as "camera shake". For small hand-held cameras, a harness or contoured frame steadies the camera against the photographer's body. In some models, the camera mount is on an arm that ...
James Michael Muro, Jr. (born October 12, 1964) is an American cinematographer and director. He is known primarily for his Steadicam work. In the late 1980s and 1990s, he was James Cameron's Steadicam operator of choice, working on the Cameron-directed films The Abyss, Terminator 2: Judgment Day, True Lies, and Titanic.
Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure.. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation about the optical axis (). [1]
The unprecedented use of digital effects was risky, because if they did not work, then the entire film could fail. [2] [3] A ten-month schedule and approximately $15–$17 million of the film's budget were allocated to the film's special effects, with $5 million separately allocated to the T-1000.
In cinematography, a jib is any boom device used to mount a camera on one end, and a counterweight with camera controls on the other. [1] In principle, it operates like a see-saw, with the balance point located closer to the counterweight, which allows the end of the arm with the camera to move through an extended arc. Typically a jib permits ...