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"Afterglow of Your Love" is a song by the English rock group Small Faces. The song was originally simply titled "Afterglow" on the album on which it first appeared in May 1968, Ogdens' Nut Gone Flake. Without authorisation from the band, the song was released as a single in 1969 and reached no. 36 on the UK Singles Chart.
Alongside the title track, the album contained an alternative version of "Afterglow Of Your Love" (which had been released as the Small Faces' final single earlier in the year), covers of two Tim Hardin songs ("If I Were A Carpenter" and "Red Balloon") and the instrumentals "Wide Eyed Girl On The Wall" and "Collibosher" (both of which are ...
Small Faces were an English British beat band formed in 1965 [1] by Steve Marriott, Ronnie Lane, Kenney Jones, and Jimmy Winston (who was soon replaced by Ian McLagan).Heavily influenced by American rhythm and blues, they later evolved into a psychedelic act before disbanding in 1969.
As a compromise, the new line-up's first album in the UK was credited as First Step by the Faces, while in the US the same album was released as First Step by the Small Faces. [53] The album was only a mild commercial success, and the record companies perceived no further need to market this new line-up as the "Small Faces".
"Afterglow (Of Your Love)" 37 — — — — — 1978 "If You Walked Away" ... Non-album/single songs on various artists albums. Year Song Album 1984: No Angels Tonight:
Steve Marriott (1947–1991) was a successful and versatile English blue-eyed soul, singer-songwriter and guitarist.He is best remembered for his uniquely powerful voice and aggressive guitar [1] in groups Small Faces (1965–1969) and Humble Pie (1969–1975).
Small Faces is the debut album of Small Faces, released in May 1966 by Decca Records.It includes the hit singles "Whatcha Gonna Do About It" and "Sha-La-La-La-Lee".The album was well received by music critics and was popular with the public, rising to number 3 on the UK album chart remaining at the top for several weeks.
Marriott's dogs can also clearly be heard barking in the background (one of Marriott's dogs, Seamus, was also recorded howling in the studio for the Pink Floyd track of the same name, from their 1971 album Meddle). The Universal's lyrics involved complex wordplay, and the vocal was delivered by Marriott in an uncharacteristically offhand but ...
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