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The decibel originates from methods used to quantify signal loss in telegraph and telephone circuits. Until the mid-1920s, the unit for loss was miles of standard cable (MSC). 1 MSC corresponded to the loss of power over one mile (approximately 1.6 km) of standard telephone cable at a frequency of 5000 radians per second (795.8 Hz), and matched closely the smallest attenuation detectable to a ...
The Bode magnitude plot locates the frequency where the magnitude of |βA OL | reaches unity, denoted here as frequency f 0 dB. Using this frequency, the Bode phase plot finds the phase of βA OL. If the phase of βA OL (f 0 dB) > −180°, the instability condition cannot be met at any frequency (because its magnitude is going to be < 1 when f ...
The 3 dB bandwidth of an electronic filter or communication channel is the part of the system's frequency response that lies within 3 dB of the response at its peak, which, in the passband filter case, is typically at or near its center frequency, and in the low-pass filter is at or near its cutoff frequency. If the maximum gain is 0 dB, the 3 ...
A frequency ratio expressed in octaves is the base-2 logarithm (binary logarithm) of the ratio: = An amplifier or filter may be stated to have a frequency response of ±6 dB per octave over a particular frequency range, which signifies that the power gain changes by ±6 decibels (a factor of 4 in power), when the frequency changes by a factor of 2.
The spectral centroid of a signal is the midpoint of its spectral density function, i.e. the frequency that divides the distribution into two equal parts. The spectral edge frequency (SEF), usually expressed as "SEF x", represents the frequency below which x percent of the total power of a given signal are located; typically, x is in the range ...
Magnitude transfer function of a bandpass filter with lower 3 dB cutoff frequency f 1 and upper 3 dB cutoff frequency f 2 Bode plot (a logarithmic frequency response plot) of any first-order low-pass filter with a normalized cutoff frequency at =1 and a unity gain (0 dB) passband.
Ampex tape recorders in the 1950s achieved 60 dB in practical usage, [26] In the 1960s, improvements in tape formulation processes resulted in 7 dB greater range, [28]: 158 and Ray Dolby developed the Dolby A-Type noise reduction system that increased low- and mid-frequency dynamic range on magnetic tape by 10 dB, and high-frequency by 15 dB ...
Magnitude response of a low pass filter with 6 dB per octave or 20 dB per decade roll-off. Measuring the frequency response typically involves exciting the system with an input signal and measuring the resulting output signal, calculating the frequency spectra of the two signals (for example, using the fast Fourier transform for discrete signals), and comparing the spectra to isolate the ...