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The poem was set to music by Pelham Humfrey in the 17th century and posthumously published in Harmonia Sacra, Book 1 (1688). A typical performance takes about 3 minutes. [2] [3] His setting has been included in 10 hymnals, under such other titles as its opening line, "Wilt Thou Forgive That Sin, Where I Begun", but without always crediting him as composer, or Donne as the author of the words. [4]
Wedding Hymn: "Father in Thine Almighty Hand" (words: Eleanor Spensley) SATB voices: Orchestral: 1934: Incidental music: The Song of Solomon: Orchestra: Music for a Hollywood pageant Concertante: 1935: Concerto for violin and string orchestra: Solo violin and strings: Based on traditional Irish tunes Instrumental: 1935: Four Easy Pieces: Viola ...
The hymn has consistently been sung to a tune composed by Tullar, as originally sung in 1899. [1] Tullar originally composed the music for a different set of words, during an evangelistic campaign in Rutherford, New Jersey. [3] In his book Written Because, Tullar described how the composition had been inspired by an "almost-empty jelly dish": [2]
A Message Came to A Maiden Young [1]; Accept Almighty Father; Adeste Fideles; Adoramus te; Adoro te devote; Agnus Dei; All Glory, Laud and Honour; All of seeing, all of hearing
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. [1] The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". [2]
Christ songs are hymns to Jesus of Nazareth as the Christ. [2] Literary criticism makes it possible, on the basis of stylistic criteria, to elaborate Christ songs and liturgically used portions in the New Testament. [3] [4] In letters and texts some songs are quoted and mentioned, e.g. For example, the hymn to Christ in Philippians 2:6–11. It ...
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
The hymn first appeared with the Zahn 58 tune in Bugenhagen's Braunschweig order of church service, printed in Wittenberg in 1528. [4] [5] The Protestant hymnal Evangelisches Gesangbuch of 1993 has this hymn as EG 190:2. [6] The Catholic hymnal Gotteslob of 2013 has the hymn as GL 208, with a slightly different melody. [7]