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An oculus (from Latin oculus 'eye'; pl.: oculi) is a circular opening in the center of a dome or in a wall. Originating in classical architecture, it is a feature of Byzantine and Neoclassical architecture. A horizontal oculus in the center of a dome is also called opaion (from Ancient Greek ὀπαῖον '(smoke) hole'; pl.: opaia).
Domes were a characteristic element of the architecture of Ancient Rome and of its medieval continuation, the Byzantine Empire. They had widespread influence on contemporary and later styles, from Russian and Ottoman architecture to the Italian Renaissance and modern revivals. The domes were customarily hemispherical, although octagonal and ...
Oculus of the Pantheon. This is a list of Roman domes. The Romans were the first builders in the history of architecture to realize the potential of domes for the creation of large and well-defined interior spaces. [1] Domes were introduced in a number of Roman building types such as temples, thermae, palaces, mausolea and later also churches.
This is the list of ancient architectural records consists of record-making architectural achievements of the Greco-Roman world from c. 800 BC to 600 AD. Bridges [ edit ]
Drawing of an Assyrian bas-relief from Nimrud. Small domes in corbelled stone or brick over round-plan houses go back to the Neolithic period in the ancient Near East, and served as dwellings for poorer people throughout the prehistoric period, but domes did not play an important role in monumental architecture. [17]
1 Architecture. 2 Arts, entertainment, and media. 3 New York City transit stations. ... Oculus (a term from Latin oculus, meaning 'eye'), may refer to the following:
The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. [citation needed] The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. [citation needed]
Trissino was deeply engaged in the study of ancient Roman architecture, particularly the work of Vitruvius, which had become available in print in 1486. [8] In 1540, Palladio received the formal title of architect. In 1541, he made a first trip to Rome, accompanied by Trissino, to see the classical monuments first-hand.