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The Viola da Gamba. London and New York: Routledge ISBN 9781138240230. Reprinted 2019 ISBN 9780367443757. O'Loghlin, Michael. Frederick the Great and his Musicians: the Viola da Gamba Music of the Berlin School (Routledge, 2017); the famous Prussian king (1712–1786) was a musician and patron of music. Woodfield, Ian; Robinson, Lucy.
[6] The sonata begins with a theme by the viola da gamba, which is soon joined by the harpsichord. This is driven forward with lively figuration. The middle movement, in B ♭ major, allows the parts to intertwine even more, ending with the allegro, which begins with repeated notes in the gamba part soon to be taken up by the lower harpsichord ...
Carl Friedrich Abel (22 December 1723 [a]: 3 – 20 June 1787) was a German composer of the pre-Classical era.He was a renowned player of the viola da gamba, and produced significant compositions for that instrument.
Jean (?) de Sainte-Colombe (c. 1640 – c. 1700) was a French composer and violist.He was a celebrated master of the viola da gamba and was credited (by Jean Rousseau in his Traité de la viole (1687)) [1] with adding the seventh string, tuned to the note AA (A 1 in scientific pitch notation), on the bass viol.
Is a musical composition played by a viola and a gamba togheter Retrieved from "https://en.wikipedia.org/w/index.php?title=Viola_da_gamba&oldid=713497990"
Georg Philipp Telemann's collection of Twelve Fantasias for Viola da Gamba Solo, TWV 40:26–37, was published in Hamburg in 1735, titled Fantaisies pour la Basse de Violle. The fantasias for viola da gamba were considered lost until an original print was found in a private collection in 2015.
Antoine Forqueray. Antoine Forqueray (September 1672 [1] – 28 June 1745) was a French composer and virtuoso of the viola da gamba.. Forqueray, born in Paris, was the first in a line of composers which included his sons Jean-Baptiste (1699–1782) and Nicolas Gilles (1703–1761) as well as his brother Michel (1681–1757).
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.