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Many tango musicians have been both musicians and singers, but this does not exclude from this list. While the vast majority of earlier tango singers were Argentines , this list illustrates the diversification of tango over time, with the growth in female stars such as Susana Rinaldi and the spread of tango around the world, as far as Russia ...
Juan d'Arienzo (December 14, 1900 – January 14, 1976) was an Argentine tango musician, also known as "El Rey del Compás" (King of the Beat). He was a violinist, band leader, and composer. He was a violinist, band leader, and composer.
tango Mi Buenos Aires querido: Carlos Gardel Alfredo Le Pera tango Mi estrella Saúl Salinas Saúl Salinas Mi guitarra Vicente Greco Juan Andrés Caruso ¡Mi mamá lo va a saber! Juan Félix Maglio (Pacho) [J.Oglima] Juan Andrés Caruso Mi noche triste: Samuel Castriota: Pascual Contursi tango Mirala como se va Saúl Salinas Saúl Salinas tonada
Laura Ana "Tita" Merello (11 October 1904 – 24 December 2002) was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine cinema.In her six decades in Argentine entertainment, at the time of her death, she had filmed over thirty movies, premiered twenty plays, had nine television appearances, completed three radio series and had had countless appearances in print media.
Gardel created the tango-canción in 1917 with his rendition of Pascual Contursi and Samuel Castriota's Mi noche triste. The recording sold 10,000 copies and was a hit throughout Latin America. The recording sold 10,000 copies and was a hit throughout Latin America.
La cumparsita" (little street procession, a grammatical diminutive of la comparsa) is a tango written in 1916 by the Uruguayan musician Gerardo Matos Rodríguez, with lyrics by Argentines Pascual Contursi and Enrique Pedro Maroni . It is among the most famous and recognizable tangos of all time.
Two dancers of Argentine tango on the street in Buenos Aires. Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. [1] It typically has a 2 4 or 4 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC.
Osvaldo Pedro Pugliese (December 2, 1905 – July 25, 1995) [1] was an Argentine tango musician. He developed dramatic arrangements that retained strong elements of the walking beat of salon tango but also heralded the development of concert-style tango music. Some of his music, mostly since the 1950s, is used for theatrical dance performances.