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The painting depicts the event described in Luke 8:22–25 in which the disciples in charge of the vessel were scared by the sudden storm and awoke a sleeping Jesus in their panic. Rembrandt's version is considered among the more accurate depictions of the event as described in the Bible. [ 3 ]
Standing on a staircase, Jesus appears in the center of the painting, leaning towards Peter, who kneels to receive the keys. On the ground, lie the iconographic symbols of an open book and a sword, while in the sky, some angels, seraphs and cherubs, appear among the clouds to witness and to celebrate the event.
A. Aix Annunciation; Albi Apostles; Altar frontal from La Seu d'Urgell or of The Apostles; Altar frontal from Santa Maria in Taüll; Altarpiece of Saints Ursula, Martin and Anthony
On roadside warning signs, an exclamation mark is often used to draw attention to a generic warning of danger, hazards, and the unexpected. In Europe and elsewhere in the world (except North America and Australia), this type of sign is used if there are no more-specific signs to denote a particular hazard.
The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.
The influence of Italian Byzantine painting was strong in the court of Charles IV. The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus , celebrated at Christmas , are based on the narratives in the Bible, in the Gospels of Matthew and Luke , and further ...
Scientists have re-created what they believe Jesus looked like, and he's not the figure we're used to seeing in many religious images. Forensic science reveals how Jesus really looked Skip to main ...
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
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