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Chinese musical creations during the founding years of the People's Republic of China, from 1949 to 1976, continue to serve the political utilitarian purpose, yet have new advancements due to a unified China. [3] Institutional change gave academic research a rather stable atmosphere, Chinese music was open to the whole society, and the whole ...
Chinese opera music is mainly composed of singing (vocal singing and aside) and instrumental accompaniment. [30] Chinese opera accent: There are different types of drama in different regions, but they all have similarities. The four major accents in modern times are Kunshan accent (Kunshan), high accent , Pihuang accent, and Bangzi accent. [31]
Chinese music history (3 C, 4 P) ... This list may not reflect recent changes. ... Cantopop; Central Asian and Chinese music; Chinese musicology; Chinese New Hymnal ...
Du Yaxiong graduated from the Music Department of Northwest Normal University in 1965, received a Master of Arts degree from Nanjing University of the Arts in 1981, after which he joined the China Conservatory of Music, in Beijing as a professor of music and was the head of the Department of Musicology for thirteen years and is still professor and doctoral supervisor of the college.
This is a timeline that show the development of Chinese music by genre and region. It covers the historic China as well as the geographic areas of Taiwan , Hong Kong and Macau . Dynastic periods
The History of Song with its 496 chapters is the largest of the Twenty-Four Histories. [2] It contains 47 chapters of Imperial biographies, 162 chapters covering Song dynasty records (誌; 志; Zhì), 32 chapters of tables (showing genealogy, etc.) and 255 chapters of historical biographies.
Chinese Music provides a forum for original papers concerned with musicology, musical life, composition, acoustics, analysis, orchestration, musicians, global interactions, intercultural studies, and musical instruments. It also publishes news items of importance to the music community and the general public, as well as book and recording reviews.
It is also known, rather misleadingly, as the Chinese chromatic scale; it was only one kind of chromatic scale used in ancient Chinese music. The shi'er lü uses the same intervals as the Pythagorean scale , based on 3:2 ratios (8:9, 16:27, 64:81, etc.).