Search results
Results from the WOW.Com Content Network
Lamassu at the Iraq Museum, Baghdad.. The goddess Lama appears initially as a mediating goddess who precedes the orans and presents them to the deities. [3] The protective deity is clearly labelled as Lam(m)a in a Kassite stele unearthed at Uruk, in the temple of Ishtar, goddess to which she had been dedicated by king Nazi-Maruttash (1307–1282 BC). [9]
The bull was portrayed as Adad/Iškur's sacred animal starting in the Old Babylonian period [18] (early 2nd millennium BCE). Adad/Iškur's consort (both in early Sumerian and the much later Assyrian texts) was the grain goddess Shala, who is also sometimes associated with the god Dagānu. She was also called Gubarra in the earliest texts.
"Winged genie", Nimrud c. 870 BC, with inscription running across his midriff. Part of the Lion Hunt of Ashurbanipal, c. 645–635 BC. Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant ...
Tarvos Trigaranus (the "bull with three cranes") is pictured on ancient Gaulish reliefs alongside images of gods, such as in the cathedrals at Trier and at Notre Dame de Paris. In Irish mythology, the Donn Cuailnge and the Finnbhennach are prized bulls that play a central role in the epic Táin Bó Cúailnge ("The Cattle Raid of Cooley").
The Lachish reliefs are a set of Assyrian palace reliefs narrating the story of the Assyrian victory over the kingdom of Judah during the siege of Lachish in 701 BCE. Carved between 700 and 681 BCE, as a decoration of the South-West Palace of Sennacherib in Nineveh (in modern Iraq), the relief is today in the British Museum in London, [3] and was included as item 21 in the BBC Radio 4 series A ...
In Assyrian royal ideology, the Assyrian king was the divinely appointed mortal representative of Ashur. The king was seen as having the moral, humane and necessary obligation to extend Assyria since lands outside Assyria were regarded to be uncivilized and a threat to the cosmic and divine order within the Assyrian Empire.
He based his story of love, loss and lava lizards partially on his experiences playing second base for the Baby Birds of Bluefield, WV., where his hand-me-down wool jersey had two numbers on the ...
A fragmentary Assyrian rewrite of Enuma Elish replaced Marduk with Ashur, equated with Anshar, with Lahmu and Lahamu replacing Ea/Enki and Damkina. Wilfred G. Lambert described the result as "completely superficial in that it leaves the plot in chaos by attributing Marduk's part to his great-grandfather, without making any attempt to iron out ...