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Highest-grossing Japanese films in Japan by distributor rentals up until 1996 Year Title Japanese box office (est.) Format Rentals Gross receipts Admissions Ref. 1950: The Munekata Sisters: ¥83,780,000: Unknown Unknown [72] Live-action 1951: The Tale of Genji: ¥141,050,000: Unknown Unknown 1952: The Flavor of Green Tea over Rice: ¥ ...
The following is a list of the highest-grossing films in Japan. This list only accounts for the films' box office earnings at cinemas and not their ancillary revenues (i.e. home video sales, video rentals , television broadcasts, or merchandise sales).
Japan Japanese 2013 $49,300,000 [40] Viy 2: Journey to China: Russia, China Russian, English 2019 $49,100,000 [41] Gone with the Bullets: China Mandarin 2014 $48,800,000 [42] The Crossing: China Mandarin, Japanese 2014 $48,600,000 [43] Asterix & Obelix Take On Caesar: France French 1999 $48,000,000 Asterix & Obelix: Mission Cleopatra: France ...
Lists of films produced in Japan include: List of Japanese films before 1910; List of Japanese films of the 1910s; List of Japanese films of the 1920s; List of Japanese films of the 1930s; List of Japanese films of the 1940s; Lists of Japanese films of the 1950s; Lists of Japanese films of the 1960s; Lists of Japanese films of the 1970s
Gate of Hell, a 1953 film by Teinosuke Kinugasa, was the first movie that filmed using Eastmancolor film, Gate of Hell was both Daiei's first color film and the first Japanese color movie to be released outside Japan, receiving an Academy Honorary Award in 1954 for Best Costume Design by Sanzo Wada and an Honorary Award for Best Foreign ...
The following is a list of 2024 box office number-one films in Japan by week. When the number-one film in gross is not the same as the number-one film in admissions, both are listed. When the number-one film in gross is not the same as the number-one film in admissions, both are listed.
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The following is a list of 2021 box office number-one films in Japan by week. When the number-one film in gross is not the same as the number-one film in admissions, both are listed. When the number-one film in gross is not the same as the number-one film in admissions, both are listed.