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The sociology of music looks specifically at these connections and the musical experiences tied to the person and the music itself. [1] In addition, the act of making music is a social production as well as a social activity. Even if the music artist is a solo performer, the production of the music itself, took a level of social effort.
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ...
Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. [3] It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, drums, and sometimes with keyboards and harmonica).
Tishoumaren (ⵜⵉⵛⵓⵎⴰⵔⴻⵏ in Neo-Tifinagh script) or assouf, [1] internationally known as desert blues, is a style of music from the Sahara region of northern and west Africa. Critics describe the music as a fusion of blues and rock music with Tuareg , Malian or North African music . [ 2 ]
The acoustic roots-focused movement also gave rise to the terms "folk blues" and "acoustic blues", especially being applied to performances and recordings made around this period. [1] "Country blues" has also been used to describe regional acoustic styles, such as Delta blues, Piedmont blues, or the earliest Chicago, Texas, and Memphis blues. [1]
Live music and dancing was also a popular feature. Piano players and jazz bands were invited to provide live music for dancing. Dancing was a big part of the scene, often accompanied with contests and newly-invented dance moves. [6] Rent parties were very competitive, with up to twelve occurring on a single block within any given week.
British blues emerged from the skiffle and folk club scene of the late 1950s, particularly in London, which included the playing of American acoustic blues.Critical was the visit of Muddy Waters in 1958, who initially shocked British audiences by playing amplified electric blues, but who was soon performing to ecstatic crowds and rave reviews. [30]