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The Buescher company also produced some flutes and clarinets between 1910 and 1920, the Saxonette (also known as the "clariphon" and the "claribel"), a clarinet with a curved metal barrel and a curved metal bell pitched in A, B ♭, C or E ♭. They were produced with the Albert system, and later with the Boehm system. Gretsch and Supertone ...
The Silva-Bet, which debuted in 1925, is generally acknowledged to have been the first successful metal clarinet. [1] [2] Shortly after the appearance of the Silva-Bet, other woodwind makers entered the metal clarinet market, including Selmer Paris in 1927 [3] with their Master Model as well as American companies Buescher with their True Tone model and H. N. White with the Silver King.
A "Sax-Clarinet" appeared in the Couesnon catalogue of 1934. [3] Couesnon instruments are amongst the most common instruments around today. In 1923 the Gretsch Musical Instrument Company advertised a new invention called the Saxonette, [4] which was identical to Buescher's Clariphon. There are some similarities with Buescher branded and Gretsch ...
New York NY 10 October 1936), who was the president of Buescher Band Instrument Company, and Carl Dimond Greenleaf (b. Wauseon, Ohio 27 July 1876; d. Elkhart 10 July 1959), president of C.G. Conn, and who served the new company as secretary-treasurer. The company produced "Elkhart" branded band instruments as well instruments to be sold under ...
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G
The Buescher Band Instrument Company, owned by Selmer, was also offering the Varitone by 1968. [ 1 ] Similar products included the Hammond Condor, the Conn Multi-vider and the Maestro series of analogue effects boxes marketed by Chicago Musical Instruments.
H. N. White became a major player in the saxophone market dominated by Buescher, C.G. Conn, and Martin during the interwar years. King saxophones had brazed-on tonehole chimneys, which have significant advantages over both the soldered-on and drawn types used by other manufacturers. Brazing was also a relatively high cost process.
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
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