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George Franklin Barber (July 31, 1854 – February 17, 1915) was an American architect known for the house designs he marketed worldwide through mail-order catalogs. Barber was one of the most successful residential architects of the late Victorian period in the United States, [4] and his plans were used for houses in all 50 U.S. states, and in nations as far away as Japan and the Philippines. [4]
The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
MD2 — Design found in Barber's Modern Dwellings and Their Proper Construction (2nd ed., 1899) ART — Design found in Barber's Art In Architecture (c. 1901) MD3 — Design found in Barber & Kluttz's Modern Dwellings: A Book of Practical Designs and Plans for Those who wish to Build or Beautify Their Homes (3rd ed., 1901)
The Eastlake movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations.
The American Foursquare or "Prairie Box" was a post-Victorian style, which shared many features with the Prairie architecture pioneered by Frank Lloyd Wright.. During the early 1900s and 1910s, Wright even designed his own variations on the Foursquare, including the Robert M. Lamp House, "A Fireproof House for $5000", and several two-story models for American System-Built Homes.
In practice, most Second Empire houses simply followed the same patterns developed by Alexander Jackson Davis and Samuel Sloan, the symmetrical plan, the L-plan, for the Italianate style, adding a mansard roof to the composition. Thus, most Second Empire houses exhibited the same ornamentational and stylistic features as contemporary Italianate ...
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Tyneside flats may vary in size, usually having one or two bedrooms as the lower flat is made slightly smaller by the staircase to upstairs. Some upper flats use the attic space for additional bedrooms and may have three or four bedrooms, spread over two floors, and usually with a dormer window to the front.
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