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Conrad Henri Roy III (September 12, 1995 – July 12, 2014) was an American marine salvage captain who died by suicide at the age of 18. His girlfriend, 17-year-old Michelle Carter, had encouraged him in text messages to kill himself. The case was the subject of an investigation and involuntary manslaughter trial in Massachusetts, colloquially ...
Author, speaker. Notable works. Personality Plus. Spouse. Fred Littauer (1953–2002; his death) Children. 5. Florence Littauer (née Chapman; April 27, 1928 – July 11, 2020) [1] was an American Christian self-help author and public speaker. Littauer is best known for her series of books based upon the Personality Plus personality system. [2]
Marianne Ihlen. Marianne Christine Stang Ihlen (Norwegian: [mɑrɪˈɑ̂nːə ˈîːln̩]; 18 May 1935 – 28 July 2016) [nb 1] was a Norwegian woman who was the first wife of author Axel Jensen and later the muse and girlfriend of Leonard Cohen for several years in the 1960s. [5] She was the subject of Cohen's 1967 song "So Long, Marianne".
No. 5: ‘I want to come give you a hug’. Before I was thrust into grief, I would not have understood how a loving gesture from a friend could ever feel uncomfortable. Now I do. Those of us ...
Gloria Hunniford has announced the death of her husband of more than 20 years, Stephen Way. The veteran broadcaster, 84, wed the businessman in 1998, and she said he would leave “the most ...
"The Life That I Have" was an original poem composed on Christmas Eve 1943 and was originally written by Marks in memory of his girlfriend Ruth, who had just died in a plane crash in Canada. [1] On 24 March 1944, the poem was issued by Marks to Violette Szabo , a British agent of Special Operations Executive who was eventually captured ...
Christina Sandera — the longtime girlfriend of Clint Eastwood — died of a heart attack, the Monterey County Health Department has reportedly confirmed. Her immediate cause of death was listed ...
A teenage tragedy song is a style of sentimental ballad in popular music that peaked in popularity in the United States in the late 1950s and early 1960s. Lamenting teenage death scenarios in melodramatic fashion, these songs were variously sung from the viewpoint of the dead person's romantic interest, another witness to the tragedy, or the dead or dying person.