Search results
Results from the WOW.Com Content Network
The Ildefonso Altarpiece is a triptych painting by Peter Paul Rubens, dating to between 1630 and 1631. It is now in the Kunsthistorisches Museum , in Vienna . It is named after the central panel, which shows Saint Ildefonsus 's vision of the Virgin Mary , in which she gave him a casula .
The Saint Stephen Triptych is a 1616–1617 oil on panel painting by Peter Paul Rubens, produced as the high altarpiece for Saint-Amand Abbey, a Benedictine house near Valenciennes. It was seized during the French Revolution and is now in the Musée des Beaux Arts de Valenciennes.
The Adoration of the Magi is a painting of 1633–34 by the Flemish Baroque artist Peter Paul Rubens, made as an altarpiece for a convent in Louvain. It is now in King's College Chapel, Cambridge, in England. It measures 4.2 m × 3.2 m (13 ft 9 in × 10 ft 6 in).
The Conversion of Saint Bavo (1623-1624) by Rubens. The Conversion of Saint Bavo is an altarpiece by Peter Paul Rubens, dated 1623–1624.It was commissioned as the high altarpiece for Sint-Baafskathedraal in Ghent by bishop Antoon Triest (1577–1657).
The painting was taken to Paris in 1794, along with Peter Paul Rubens's The Descent from the Cross, to Paris. [9] The paintings were returned to Antwerp at the end of the Napoleonic Wars in 1815, but since the Catholic Church of St. Walburga had been destroyed, they were placed in the Cathedral of Our Lady in Antwerp instead. [9]
The Miracles of St. Francis Xavier is a large altarpiece painted by Peter Paul Rubens in 1617 or 1618. It was originally commissioned by the Jesuits in Antwerp for their church, now known as the St. Charles Borromeo Church.
The Madonna della Vallicella is an oil-on-slate painting produced between 1606 and 1608 by Peter Paul Rubens. It is his second confirmed commission in Rome, after his now-lost painting cycle for Santa Croce in Gerusalemme.
Adoration of the Magi (1624) by Rubens. The Adoration of the Magi is a 1624 oil on canvas painting by Peter Paul Rubens, measuring 447 cm by 336 cm.It was commissioned by Matthæus Yrsselius, abbot of St. Michael's Abbey, Antwerp, as an altarpiece, and paid for in two instalments of 750 guilders each in 1624 and 1626. [1]