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La campanella" (Italian for "The little bell") is the subtitle given to the third of Franz Liszt's six Grandes études de Paganini, S. 141 (1851).
The Violin Concerto No. 2 in B minor, Op. 7, was composed by Niccolò Paganini in Italy in 1826. [1] The third movement owes its nickname "La Campanella" or "La Clochette" to the little bell which Paganini uses to presage each recurrence of the rondo theme.
First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [ 4 ] Jean Schneitzhoeffer was so inspired by Paganini's performance that he based the scene of Old Madge's witchcraft which opens Act II of his ballet La Sylphide (1832) on Le Streghe .
Étude No. 3 in G ♯ minor "La Campanella", marked Allegretto, which is after the final movement of Paganini's Violin Concerto No. 2 in B minor. Étude No. 4 in E major "Arpeggio", marked Andante quasi allegretto, which is after Caprice No. 1 in E major. It was written on one line only, omitting the usual separate line for the left hand, this ...
La campanella became Étude No. 3. The set of 6 Études were revised as Grandes études de Paganini (S.141). La campanella had earlier been the basis of a separate work, the Grande Fantaisie de bravoure (S.420). [39] Violin Concerto No. 2 in B minor, Op. 7 (1826): III. La campanella [38] Grande Fantaisie de bravoure sur la Clochette: 1831–32
Paganini composed his own works to play exclusively in his concerts, all of which profoundly influenced the evolution of violin technique. His 24 Caprices were likely composed between 1805 and 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas, trios, and ...
That sentiment definitely holds true for former Miss USA, Alyssa Campanella. After meeting Campanella for the first time in our New York offices, one thing was for certain: her personality was ...
Josef Slavík (26 March 1806 – 30 May 1833), also known as Josef Slawjk or Joseph Slawik, was a Bohemian violin virtuoso and composer, who was expected by Viennese musical critics to become Paganini's successor after composing a supposedly unplayable Concerto in F-sharp minor and teaching himself to play Paganini's "La Campanella" after a single hearing.