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Incipit for "La campanella" by Franz Liszt (Grandes études de Paganini S. 141 no. 3)The étude is played at a gentle, brisk allegretto tempo and features constant octave hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note.
The Violin Concerto No. 2 in B minor, Op. 7, was composed by Niccolò Paganini in Italy in 1826. [1] In his Second Concerto, Paganini holds back on the demonstration of virtuosity in favor of greater individuality in the melodic style. The third movement of Paganini's Second Concerto owes its nickname "La Campanella" or "La Clochette" to the ...
Étude No. 3 in G ♯ minor "La Campanella", marked Allegretto, which is after the final movement of Paganini's Violin Concerto No. 2 in B minor. Étude No. 4 in E major "Arpeggio", marked Andante quasi allegretto, which is after Caprice No. 1 in E major. It was written on one line only, omitting the usual separate line for the left hand, this ...
First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [4] Jean Schneitzhoeffer was so inspired by Paganini's performance that he based the scene of Old Madge's witchcraft which opens Act II of his ballet La Sylphide (1832) on Le Streghe. [5] 1815 c. 20: 3 String Quartets ...
La campanella became Étude No. 3. The set of 6 Études were revised as Grandes études de Paganini (S.141). La campanella had earlier been the basis of a separate work, the Grande Fantaisie de bravoure (S.420). [39] Violin Concerto No. 2 in B minor, Op. 7 (1826): III. La campanella [38] Grande Fantaisie de bravoure sur la Clochette: 1831–32
Paganini composed his own works to play exclusively in his concerts, all of which profoundly influenced the evolution of violin technique. His 24 Caprices were likely composed between 1805 and 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas, trios, and ...
Taylor Swift can do it with a broken mic. The 34-year-old pop songstress handled a sound and wardrobe malfunction like a pro over the weekend, boldly untying her entire dress onstage as she ...
In 1841 he started composing additional songs. His first ones were "Die Lorelei" after Heine, composed on November 20, 1841 in Cassel, and "Oh! quand je dors" ("Oh! when I'm dreaming") after Victor Hugo, composed at end of December 1841 in Berlin. Both songs were composed for Marie d'Agoult. By 1844 Liszt had composed about two dozen songs.