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Thirteen Ghosts (also known as 13 Ghosts and stylized as THIR13EN Ghosts) is a 2001 supernatural horror film directed by Steve Beck in his directorial debut. A remake of the 1960 film 13 Ghosts by William Castle, [2] the film stars Tony Shalhoub, Embeth Davidtz, Matthew Lillard, Shannon Elizabeth, Alec Roberts, Rah Digga, and F. Murray Abraham.
13 Ghosts is a 1960 American supernatural horror film produced and directed by William Castle, written by Robb White and starring Rosemary DeCamp, Margaret Hamilton, Charles Herbert, Martin Milner, Jo Morrow, John van Dreelen, and Donald Woods.
Laura Mennell (/ m ɛ ˈ n ɛ l /; born 18 April 1980) is a Canadian actress known for her roles in Thirteen Ghosts, Alphas, Haven, Loudermilk, The Man in the High Castle, Watchmen and Batwoman. In 2011/2012 Mennell co-starred on the Sci-fi television series Alphas.
In 1996, he was cast as Stu Macher in the horror film Scream. He also played Stevo in the independent film SLC Punk!, and supporting character Dennis Rafkin in Thirteen Ghosts. He was originally meant to reprise his role of Stu Macher in 2000's Scream 3 but the plans were changed. [9]
At that same ceremony, Brian Penikas was nominated for Best Makeup/Creature FX for his design of the Creeper but lost to the KNB EFX Group for their work on Thirteen Ghosts. [72] On April 13, 2002, the film received a nomination for Best Movie at the International Horror Guild Awards but lost to the Canadian film Ginger Snaps by John Fawcett. [73]
In the opening credits of the movie, Van Ghoul recaps the events of The 13 Ghosts of Scooby-Doo in which Scooby-Doo set the 13 Ghosts free once more by accident, but would catch all but one with the help of Shaggy Rogers, Daphne Blake, and young Flim-Flam.
Pritchett's ghost appears and opens the iron gate just as The Darkness advances to assimilate Eddie, and Sara pulls Eddie outside before the gate slams shut again. Pritchett's ghost and The Darkness fade away as Sara and Eddie watch the sun rise. They find an envelope on a ledge, containing all five checks, made out to cash and signed by Price.
The 1970s saw screen depictions of ghosts diverge into distinct genres of the romantic and horror. A common theme in the romantic genre from this period is the ghost as a benign guide or messenger, often with unfinished business, such as 1989's Field of Dreams, the 1990 film Ghost, and the 1993 comedy Heart and Souls. [2]
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