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Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
A basic distinction is between rhyme schemes that apply to a single stanza, and those that continue their pattern throughout an entire poem (see chain rhyme). There are also more elaborate related forms, like the sestina – which requires repetition of exact words in a complex pattern. Rhyming is not a mandatory feature of poetry; a four-line ...
This period is known as the classical period of Sindhi literature, although Persian remained the administrative language and Arabic remained a religious language. The Soomra dynasty ruled Sindh for over three centuries. The Sindhi language expanded and new literary ideas were expressed in Gech (گيچ) and Gahi (ڳاھ). [10]
Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
Shah Jo Risalo (Sindhi: شاھ جو رسالو) is a book of poems of the Sindhi Sufi mystic and poet Shah Abdul Latif Bhittai.Shah Abdul Latif's poetry was transmitted orally during his lifetime and compiled after his death and designated as Shah Jo Risalo or Poetry of Shah.
The ghazal [a] is a form of amatory poem or ode, [1] originating in Arabic poetry. [2] Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain.
A type of the "rhymed office" were offices in rhymed prose, i.e., in irregular rhythm. Later it was gradually replaced by rhythmical office. [6] They were popular in France and Germany, and a number of prominent composers of rhymed offices are known. A kind of jesting rhymed prose in Russian culture is known as rayok.
In Umar-Marvi, if only Latif's poetry is analyzed, less space is dedicated to Umar's role, most of the story/narration refers to difficulties Marvi undergoes as a result of her abduction by King Umar in the south-eastern part of Sindh. In Moomal-Rano, Moomal's role overwhelms everything else including Rano's character.