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The first box-set art for Canvas 2, released in region 2. Canvas 2: Niji-iro no Sketch is a 24-episode anime television series directed by Itsuro Kawasaki, based on a Japanese visual novel called Canvas 2: Akane-iro no Palette, which has made transitions into many media other than an anime, such as manga, light novels, and drama CDs.
While the art can be realistic or cartoonish, characters often have large eyes (female characters usually have larger eyes than male characters), small noses, tiny mouths, and flat faces. Psychological and social research on facial attractiveness has pointed out that the presence of childlike, neotenous facial features increases attractiveness ...
Canvas 2 is the sequel to F&C’s prior visual novel, Canvas: Sepia-iro no Motif, [10] [4] and is the second installment in the Canvas series. An early concept for the game appeared in Naked Blue: Canvas Wallpaper Collection , a fan disc to Canvas: Sepia-iro no Motif , as a preview to a fictitious work called Canvas 2: 2nd Stage . [ 11 ]
An attraction towards bishōjo characters is a key concept in otaku (manga and anime fan) subculture. The development of the bishōjo aesthetic in manga of the early 1980s marked a departure from previous realistic styles, and the emergence of the aesthetic of "cute eroticism" (kawaii ero) and moe.
Tezuka is a central figure in anime and manga history, whose iconic art style and character designs allowed for the entire range of human emotions to be depicted solely through the eyes. [68] The artist adds variable color shading to the eyes and particularly to the cornea to give them greater depth.
Katsuya Terada (寺田 克也, Terada Katsuya, born December 7, 1963), is a Japanese illustrator and cartoonist from the town of Tamano, Okayama.His alias is the portmanteau Rakugakingu (ラクガキング, "Doodle King").
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The chibi art style is part of the Japanese kawaii culture, [9] [10] [11] and is seen everywhere from advertising and subway signs to anime and manga. The style was popularized by franchises like Dragon Ball and SD Gundam in the 1980s. It is used as comic relief in anime and manga, giving additional emphasis to a character's emotional reaction.
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